click on the thumbnail to see the full image
click on the thumbnail to see the full image

Angie

oil on canvas

SOLD

Daughter of Navajo

oil on canvas

30" x 40"

SOLD

Defiant

oil on canvas

30" x 40"

SOLD

Dreams of My Grandfather

oil on canvas

16" x 16"

SOLD

Full Moon

oil on canvas

30" x 40"

price

Good Life

oil on canvas

48" x 40"

$5500

Heading Home

oil on canvas

20" x 16"

SOLD

Good Drums

oil on canvas

30" x 40"

SOLD

Spring Innocence

oil on canvas

30" x 40"

SOLD

Sheep Herders' Recess

oil on canvas

40" x 30"

SOLD

Kayenta Basket Maker

oil on canvas

20" x 16"

SOLD

Kiowa Red

pastel on paper

16" x 16"

SOLD

Late Breakfast In Pinon

pastel on paper

20" x 15"

SOLD

Leader Of Souls

oil on canvas

30" x 40"

SOLD

Lucky

oil on canvas

10" x 8"

SOLD

Midday Rest

oil on canvas

20" x 24"

SOLD

Monument Valley Boy

oil on canvas

16" x 14"

SOLD

Not For Sale

pastel on paper

size

SOLD

Ponca Head Dancer

oil on canvas

10" x 8"

$650

Scene Through Cornstalks

oil on canvas

30" x 12"

SOLD

Sheep Islands

oil on canvas

38" x 44"

$5500

Painted in Helsinki, Finland.

Taos Drummers

oil on canvas

38" x 44"

SOLD

Sonoran Lobo

acrylic on canvas

28" x 14"

$3400

Taos Rising

oil on canvas

10" x 16"

SOLD

Wolf Robe

oil on canvas

30" x 40"

SOLD

Woman Of Navajo

oil on canvas

8" x 10"

SOLD

Yarn For New Rug

oil on canvas

20" x 24"

SOLD

Awaiting Embers

oil on canvas

44" x 38"

SOLD

Zuni Governor

pastel on paper

15" x 19"

SOLD


Johnson Yazzie

Yellow Corn Coyote Gap Clan

I am emerging into the art world like a butterfly coming out of its cocoon. Nature guides the new butterfly into the unknown world with little or no expectation of rewards but it journeys on to enrich other lives wherever it lands. This journey for me has been an eye opener. I have come to realize emergence is a process and not an event. It started in 1988. Since then I have traveled the circuit of the art world. I must say life on the road is both good and not so good, but I don't regret the path I have chosen. The process of emergence will always be challenging with its ups and downs. I always look forward to its rewards.

Over the years as I have traveled, I accumulated friends who've become family. Who else other than a family member can give one hundred percent support?

I find joy in doing student art workshops. Kids are amazing artists. Give them ten minutes and they'll come out with amazing ideas that will blow you away! You cannot imagine how much you will learn from them by watching their artwork as it takes shape. I tell them we are here to learn from one another. This way both of us have an understanding of openness and freedom to put our artistic ability to the test, leaving the instructions to the teachers. All students are emerging artists, with lots of potential and curiosity. I hope only the best for them.

I am a member of a non-profit group named Reunion of the Masters. The group is composed of prominent Native American and non-Native American artists. We work with the Southwest Indian Foundation of Gallup, New Mexico to promote Native American art and also to develop artistic talent among area students.

My painting style is realistic, and is painted in the style of the Old Dutch Masters, with dark under painting, followed by layers of paint. I begin each canvas with heavy washes of dark colors, and slowly bring the figures forward out of that darkness. As the individuality of each portrait establishes itself, the mood, the background colors and the details fall into place. I use pastel chalks in this same manner.

I have a long-term goal to expand my horizons and become an even better painter. My belief is that learning and growing should continue until one's last day. Pursuit of new art opportunities, adventures and exploration are part of my emergence and advancement in my life as both person and artist.

Many of my paintings have been portraits of American Indians, Indian faces, ceremonial gatherings and scenes of the everyday life on a reservation. This intrigues me as much as any other subject I have painted. Not all American Indians live on reservations, however, the ones that do will tell you their way of life is not like it used to be. With that in mind if it isn't already too late, I believe that now is the time to start recording these native peoples' art, artifacts and their stories so they can be preserved for the future generations to see for themselves what their ancestors may have looked like.

I want to reach into other levels of the art world and explore opportunities that I may have rejected in the past. This means that I want to study my subject matter more in depth in terms of humanity, not just the subject's appearance. That journey is still ahead of me.




The Stone Cutter and the Navajo Maiden

Available at Salina Bookshelf

The story, written in Navajo and English, follows the journey of Cinnibah, a young Navajo maiden who lives in the deep Dinétah. She looks after her widowed father, and every day she grinds corn into flour to make their bread. To do so, she uses a metate—an ancient grinding stone that has been passed down in her family for generations. When Cinnibah accidentally shatters the metate, she sets out on a journey to find someone who can help her mend the stone. Her quest brings her to a Moccasin Maker, a Potter, and, finally, the mysterious Stone Cutter. Will he be willing to help her?

A story about loss and recovery, with strong ties to family and community, The Stone Cutter and the Navajo Maiden is an excellent early reader for both Navajo children and school children in need of learning more about Navajo culture.

Vee F. Browne is from Cottonwood/Tselani, Arizona, and is a member of the Navajo Nation, belonging to the Bitter Water and Water Flows Together clans. She obtained her master's in arts from Western New Mexico University in 1990. A journalist, educator, and fiction writer, Ms. Browne is also an Arizona Interscholastic Athletic Association volleyball and basketball referee. As an award-winning author, she has received much acclaim for her children's books, including Monster Slayer and Monster Birds.



Johnson Yazzie at Arizona Fine Arts Expo

July 8 - 10, 2011
Edwards Fine Arts and Sculpture Festival in Edwards, CO.

July 15 - 16, 2011
6th Annual White Mountains Roundup at Blue Ridge High School, in Pintop/Lakeside, AZ

August 10-14, 2011
Reunion of Masters Show at the Gallup Cultural Center with Art of The People foundation, Gallup, NM

October 15, 2011
Indigenous Visions at Heard Museum Shops, 10:am - 2:pm in Phoenix, AZ





Video from Arizona
Fine Arts Expo 2011



For information on artwork available for sale and art workshops please contact Johnson Yazzie at 928.535.9001 or by email at jjyazziearts@gmail.com

You can also connect with Johnson on Facebook